Typhoon Kong-rey Has One of Largest Eyes Ever Seen: ‘Absolutely Massive’

Ameteorologist has pointed out the sheer size of Typhoon Kong-rey’s eye as the massive storm approached Taiwan on Wednesday.

As of Wednesday afternoon, Typhoon Kong-rey had maximum sustained winds of 130 mph, according to the website Zoom Earth. The storm has weakened slightly since Tuesday night, when it was categorized as a super typhoon with maximum sustained winds of 150 mph, equivalent to a Category 4 hurricane. Forecasts anticipate that Typhoon Kong-rey will weaken further by the time it makes landfall in Kaohsiung in the early morning hours on Thursday.

On Tuesday night, meteorologist Noah Bergren of TV station WOFL in Orlando, Florida, commented on the size of the storm’s eye.

“Super Typhoon Kong-rey is easily one of the largest eye’s in a major tropical system you will ever see on Earth,” Bergren posted on X (formerly Twitter). “Thing is absolutely massive.”

A wave crashes outside of Fugang Harbor in Taitung, Taiwan, ahead of Typhoon Kong-rey on Wednesday. The storm is expected to make landfall in Taiwan early Thursday morning. Annabelle Chih/Getty

AccuWeather senior meteorologist Alan Reppert told Newsweek that having a large eye doesn’t necessarily imply anything about the storm’s strength.

“It just means the winds with it are farther away from the center than if it was a smaller eye,” he said. “It doesn’t necessarily have any major defining characteristic of the storm.”

Reppert added that a stronger storm that’s been around longer usually has a wider eye than a newer storm.

Most spaghetti models—or computer models illustrating potential storm paths—show Kong-rey making landfall on Taiwan’s southeast coast and cutting across the island before emerging with maximum sustained winds of around 75 mph. Models indicate that the typhoon will exhibit a northeastern turn away from China, which will take it out to the East China Sea.

Kong-rey’s strength is uncharacteristic for this time of year, The New York Times reported, adding that the typhoon is expected to make landfall equivalent to a Category 4 hurricane.

Reppert warned that strong winds up to 140 mph with higher gusts could hit southern Taiwan, though the storm is expected to weaken as it moves over the island. An AccuWeather report warned of “significant structural damage, mudslides and landslides” from the storm, as up to 3 feet of rain is expected to lash Taiwan. The storm could either maintain its intensity or strengthen before it makes landfall early Thursday.

Eastern China and Japan also are expecting heavy rain as the storm progresses.

A typhoon is classified as a severe tropical cyclone occurring in the Northwest Pacific. A hurricane is the term for the same type of storm in the Northeast Pacific and Northern Atlantic. Outside of these regions, the storms are called tropical cyclones.

Child star Mara Wilson, 37, left Hollywood after ‘Matilda’ as she was ‘not cute anymore’

The world first fell in love with the endearing Mara Wilson in the early 1990s. She was a child actor best remembered for her roles as the bright young girl in beloved family films like Miracle on 34th Street and Mrs. Doubtfire.

The rising actress, who turned 37 on July 24, looked like she was ready for big things, but as she got older, she lost her “cute” factor and vanished from the big screen.

She continues, “If you’re not cute anymore, if you’re not beautiful, then you are worthless. Hollywood was burned out on me.”

To find out what happened to Wilson, continue reading!

When five-year-old Mara Wilson played Robin Williams’ youngest kid in Mrs. Doubtfire in 1993, she won over millions of fans’ hearts.

When the California native was invited to feature in one of the highest-grossing comedies in Hollywood history, she had already made appearances in advertisements.

“My parents grounded me even though they were proud of me.” My mother would always tell me that I’m just an actor if I ever stated something like, “I’m the greatest!” Wilson, who is now 37, remarked, “You’re just a kid.”

Following her big screen premiere, she was cast in 1994’s Miracle on 34th Street as Susan Walker, the same character Natalie Wood had performed in 1947.

Wilson describes her audition as follows: “I read my lines for the production team and told them I didn’t believe in Santa Claus” in an essay for the Guardian. “But I did believe in the tooth fairy and had named mine after Sally Field,” she writes, referring to the Oscar-winning performer who portrayed her mother in Mrs. Doubtfire.

“Very unhappy”

Next, Wilson starred with Danny DeVito and his real-life wife Rhea Perlman in the 1996 film Matilda as the magical girl.

Additionally, Suzie, her mother, lost her fight against breast cancer in that same year.

“I wasn’t really sure of my identity.I was two different people before and after that. Regarding her profound grief following her mother’s passing, Wilson explains, “She was like this omnipresent thing in my life.””I found it kind of overwhelming,” she continues. I mostly just wanted to be a typical child, especially in the wake of my mother’s passing.

The young girl claims that she was “the most unhappy” and that she was fatigued when she became “very famous.”

She reluctantly took on her final significant role in the 2000 fantasy adventure movie Thomas and the Magic Railroad at the age of 11. “The characters had too little age. I reacted viscerally to [the] writing at 11 years old.I thought, ugh. I love it, she says to the Guardian.

“Destroyed”

Her decision to leave Hollywood wasn’t the only one, though.

Wilson was going through puberty and growing out of the “cute” position as a young teenager, so the roles weren’t coming in for him.

“Just another weird, nerdy, loud girl with bad hair and teeth, whose bra strap was always showing,” was how she was described.

“When I was thirteen, no one had complimented me on my appearance or called me cute—at least not in a flattering way.”

Wilson had to cope with the demands of celebrity and the difficulties of becoming an adult in the public glare. It had a great influence on her, her shifting image.

“I had this Hollywood notion that you are worthless if you are not attractive or cute anymore. Because I connected that directly to my career’s downfall. Rejection still hurts, even if I was kind of burned out on it and Hollywood was burned out on me.

Mara in the role of author

Wilson wrote her first book, “Where Am I Now?,” before becoming a writer. “Ancidental Fame and True Tales of Childhood,” published in 2016.

The book explores “her journey from accidental fame to relative (but happy) obscurity, covering everything from what she learned about sex on the set of Melrose Place, to discovering in adolescence that she was no longer ‘cute’ enough for Hollywood.”

In addition, she penned the memoir “Good Girls Don’t,” which explores her experiences living up to expectations as a young performer.

In her Guardian column, she states, “Being cute just made me miserable.” It was always my expectation that I would give up acting, not the other way around.

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