Chinese-Mexican showgirl Lyn May starred in almost a hundred films, captivating both presidents and viewers. Known as “The Goddess of Love,” her life abruptly changed in the early 1990s when a regular Botox session went horribly wrong, permanently changing the way she looked.
Lyn’s early years were difficult. She was born in Acapulco, Mexico, in 1952 as Lilia Guadalupe Mendiola Mayares. Selling mementos to tourists helped her family financially. Later, she worked as a waitress, where she met the American sailor who was thirty years her older and became her first love. After relocating to Mexico City and having two daughters, the couple’s relationship ended when Lyn accused him of abuse.
Lyn started her dancing career in Acapulco after getting divorced. Television producers were immediately drawn to her distinctive approach, which resulted in appearances on the hit program *Siempre en Domingo*. After she gained notoriety, she was approached by Enrique Lombardini, who extended an invitation for her to participate in burlesque productions at Teatro Esperanza Iris. After initially being apprehensive, Lyn gradually came to love the burlesque look, which made her famous in the Ficheras films of the 1970s and 1980s and earned her the title “Lyn May: The Goddess of Love.” But Lyn’s notoriety declined along with the box office success of these movies.
Reminding everyone of her timeless appeal, Lyn May triumphantly returned to the spotlight in the late 1990s, making appearances in music videos, TV shows, and documentaries. Her public character may have been audacious, but her private life was tragic. In 1989, following her divorce from her first husband, Lyn wed businessman Antonio Chi Su. Together, the couple founded a Chinese restaurant, but their joy was short-lived as Chi Su died in 2008 from prostate cancer. In a surprising admission made in an open interview, Lyn later acknowledged to exhuming her husband’s body and slept next to it while she struggled to deal with her loss.
Lyn May’s life has been full of audacious claims and contentious deeds, such as her assertion that she had an affair with a previous Mexican president, but she never revealed who he was. She wed film producer Guillermo Calderón Stell in 2008, and they remained together until his passing in 2018.
When Lyn revealed she was expecting her 68-year-old fiancé, Markos D1, at the age of 29, in 2021, she grabbed headlines once more. Many people were skeptical of the news and expressed a great deal of curiosity, with many doubting its veracity. Later on, it came to light that the revelation of her pregnancy was a PR ploy to highlight her impending farewell tour.
Lyn May has faced difficulties in her quest for beauty. An attempt at a cosmetic operation early in her career to improve her facial features went horribly wrong. Instead of injecting collagen, a con artist gave her cooking oil injections, which left her face covered in ugly lumps. The fact that the damage was not completely healed after several surgeries served as a constant reminder of her pursuit of perfection.
Even in modern times, Lyn May is still regarded as a fascinating and resilient person. Her narrative is one of not just fame and beauty but also of personal hardship and the will to follow her own path.
The Architectural Ingenuity Of Elevated Storage In Vintage Homes
Consider entering your grandparents’ home, where every room had a story to tell and every corner possessed a relic. Of these, the oil lamp shelves placed on the walls to this day will make you feel the warmth that you used to experience while reading under them. These shelves, which were an important part of the early twentieth-century houses, were not just practical – they were a symbol of a time when the light of an oil lamp would unite family members in the evening.
Usually wooden or metallic, oil lamp shelves were commonly located in various parts of the house to ensure the light’s effectiveness. These shelves were frequently located on walls in the living room, bedrooms, and hallways. They were not randomly placed; they were strategically positioned to ensure that there was enough light for activities done in the evening such as reading, sewing or even family meetings.
The form of these shelves or niches was quite diverse, ranging from flat ledges to more complex constructions complete with guardrails to avoid lamp tip overs. In wealthier homes, these shelves may have been elaborately decorated or even incorporated into the design of the room, complete with carved-out niches and fancy trim that matched the rest of the house.
This was because oil lamps presented a fire risk due to the exposed flame. Shelves for oil lamps were therefore intended to keep the lamps stowed away from the everyday activities in the house while at the same time letting in the light. These were usually located in positions that were not easily accessible to children and not close to curtains or any other combustible material. This tactical positioning ensured that risks of fire breakouts were reduced to the barest minimum while issuing adequate light.
The existence of oil lamp shelves in old houses gives us an insight into the lifestyles and the technological advancements that were available at the time. Lighting was an important part of people’s lives before the use of gas and electric lights and this meant that the management of lighting was an important part of the daily routine and architecture. These shelves were an important part of the interior design and showed how people of that time managed to optimize the use of living spaces.
Today, oil lamp shelves in historic homes are kept for both their functionality and their historical and cultural value. In the modern homes where such shelves have been installed, they are used for storing candles, plant among other items to enhance the beauty of the house. This is because preservation measures always aim at preserving the original construction features and the material used in the construction in this case the design of the period.
Therefore, the shelves for oil lamps in old houses are not only practical furniture pieces, but they are also a symbol of the creativity of the previous generations and a link to the tangible world of the past. Such details give us ideas about the changes that were made by our ancestors and make us reflect on how these architectural landmarks should be preserved.
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