Off The Record: Stay Safe and Aware

Have you heard about the recent stories circulating online? Women are coming across random water bottles on their cars or finding strange markings outside their homes, and it’s causing concern.

Viral videos suggest that these may be tactics used by kidnappers and traffickers targeting women. The code “1F” is believed to indicate “one female,” using the water bottle as bait to lure women out of their cars.

One such video shows a woman filming a car with a wire attached to the door handle in a parking lot. The caption reads, “WTF is this a joke? Someone better not get kidnapped.” To everyone’s surprise, a second vehicle with a wire wrapped around its handle is revealed.\

In response to these alarming videos, a man posted a TikTok video explaining that putting a zip-tie, wire, or thread on a car door is a common tactic used by those seeking to abduct women. He refers to it as “one of the oldest tricks in the book.” The wire is twisted around the handle to make it harder to remove quickly, giving thieves and kidnappers an opportunity to strike.

However, it’s essential to keep things in perspective. The “wire trick” was first mentioned in a Facebook post back in 2015. Canadian police, where the post originated, confirmed that no kidnappings had occurred as a result of this tactic. Organizations fighting against human trafficking have also not recognized the “wire trick” as a trend.

Some experts dismiss these social media warnings as nothing more than urban legends or scare tactics. They emphasize that traffickers primarily operate online and target individuals they know, rather than strangers.

While it’s always important to be cautious and aware of our surroundings, it’s equally important not to let fear take over. Stay informed, trust your instincts, and seek help when needed. Together, we can create a safer community for everyone.

Look Closer… Vintage Photos That Were Never Edited

Few things are as satisfying as a trip down memory lane — and it’s even better when you find something you didn’t notice before. Because as Ferris Bueller said — life moves pretty fast. Here are dozens of pictures of celebrities and remarkable people of yesteryear in all their beautiful, vintage glory. The glamour, the fashions, the hair — whether classically elegant, effortlessly cool, or interestingly tacky, we shall not see their like again. Here’s to the movie stars who were larger than life, here’s to the rock stars who lived on the edge, here’s to the comedians who still make us smile, here’s to the bit players who had those moments of glory that changed their lives forever. It’s all good, it’s all groovy, and the rest is history.

Perhaps it was her Scandinavian free-spiritedness — Swedish-born actress and singer Ann-Margret seemed on call to be as sexy as necessary. Need an actress to smother Jack Nicholson with her cleavage? Ann-Margret would do it (in Carnal Knowledge, 1972). Need an actress to writhe in satin sheets and foam, then get sprayed by baked beans? Ann-Margret’s your girl (in Tommy, 1975). Need an actress to ride a large motorcycle in a thigh-high sweater dress and calf-high boots? Ann-Margret’s raring to go (in The Prophet, 1968). Need an actress who can shake her fringe top and miniskirt like a professional go-go dancer? Ann-Margret has that exact skill (in Appointment in Beirut, 1969). Need an actress you could cover in fluorescent paint and drag around a canvas like a human paintbrush while burly men in tribal garb howl and beat their bongos? That was so Ann-Margret’s thing (in The Swinger, 1966). Need an actress to wear a bra at a photo shoot on a chilly day? Not her thing, man.–Advertisment–

“Jungle Pam” Hardy, one of drag racing’s main attractions in the ’70s.

Jim Liberman was a drag racer who went by the nickname of “Jungle Jim.” He won a lot of races in the 1970s. Fans loved him for his flamboyant personality and masterful driving. But this is not a picture of Jungle Jim — this is “Jungle Pam” Hardy, Jim’s sidekick, who commanded attention at the track with her tight, skimpy outfits. She had a job to do, as Jim’s “backup girl,” she helped guide him as he drove his Chevy Vega backward on the track after a burnout. Pam joined Jim’s team in 1973, and in 1977 Jim died on an off-track car accident. Though she only did the job for four years, Jungle Pam remains the most iconic backup girl in drag racing history.

Burt Reynolds and Farrah Fawcett during filming of the 1981 comedy “The Cannonball Run.”

The 1981 road-racing comedy The Cannonball Run was packed with star power: Dean Martin, Sammy Davis Jr., Adrienne Barbeau, Mel Tillis, Terry Bradshaw, Dom DeLuise, Jackie Chan and 007 himself, Roger Moore. But you could have left all of them on the side of the road and powered to box office success with this supernaturally attractive pair of human beings: Burt Reynolds and Farrah Fawcett. He was the greatest heartthrob of the late ’70s; she had the decade’s hottest poster, and was the hottest lady detective on Charlie’s Angels, a show that was completely about conspicuously hot lady detectives. The chemistry in the movie (and this photo) wasn’t fake — Fawcett and Reynolds were romantically involved for a time.

Marcia, Marcia, Marcia! You’re gonna lose! Lose! Lose! A miffed Maureen McCormick on The Brady Bunch, 1972.

Be honest — which of these three sparklers from 1983 would you have pegged to be the future governor of Minnesota? History tells us it was Jesse “the Body” Ventura (at right), and not Randy “Macho Man” Savage or the lovely Elizabeth “Miss Elizabeth” Hulette. Randy and Elizabeth would marry the following year, and she would later debut in the WWF as Macho Man’s mysterious, glamorous manager. Sadly, neither Macho Man nor Elizabeth are with us today. Ventura, who served one term as governor and has since remained a popular political figure, occasionally floats the idea of a bid for the U.S. presidency. That seems far-fetched, as American voters would never make a crass TV blowhard the leader of the free world.

Cindy Morgan as ‘Lacey Underall’ in a scene from the comedy film “Caddyshack,” 1980.

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