A former pianist turned school teacher, Lily begins teaching piano to Jay, a talented boy she believes comes from a poor family. Her efforts to nurture his gift take an unexpected turn when she learns the truth about his father’s identity—a revelation that threatens to unravel everything.
Lily sat by the piano, her fingers lightly pressing random keys, filling the room with soft, disconnected notes. She sighed, her mind spinning with worry.
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The orchestra had been her life, her dream since she was a child. Now, that dream was gone, and with it, her sense of security. The director had dismissed her without a second thought, choosing his daughter over her.
She had a small job teaching music to a few adults, but it barely covered her rent, let alone food and other expenses. Frustrated, she planted her hands firmly on the keys and began to play one of her favorite melodies, pouring her emotions into every note.
The tune started softly, but as thoughts of her situation flooded her mind, she played harder, her fingers striking the keys with increasing force.
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When the song ended, the room fell into a thick, profound silence, as if absorbing her pain. Her hands dropped limply to her lap, and she gently closed the piano lid, resting her forehead against it. The stillness was comforting, but it didn’t solve her problem.
Over the next few weeks, she scoured job listings, applying to anything remotely related to music. Finally, she found a position as a school music teacher. She didn’t mind teaching—she respected teachers deeply.
Yet, part of her longed to create her own music, to pour her soul into her art, not just guide others in theirs.
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But with no other options, she accepted the job. The school was eager to have her; they’d been searching for someone for months.
The first few days were tough. She wasn’t used to working with kids, and they seemed indifferent to her quiet, gentle way of teaching. She tried everything—she played soundtracks from popular movies, catchy pop songs—anything to spark their interest. But nothing seemed to stick.
Then, one afternoon after class, as she wandered down the hallway, a soft melody caught her attention. She followed the sound to her classroom, peeking inside. There, at the piano, was Jay, one of her students. He was playing the exact piece she’d practiced earlier in the day.
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“Do you play piano?” Lily asked, walking into the room.
Jay flinched, startled. “No… not really. I haven’t played much,” he mumbled, looking down at the keys.
“But you were just playing,” Lily replied, a warm smile spreading across her face. “And very well, especially for someone your age.”
Jay shrugged. “I just remembered how you played it.”
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Lily blinked, surprised. She knew that even many trained musicians couldn’t play by memory like that. “Would you like to learn?” she asked.
Jay’s eyes brightened, and a small smile appeared on his face. “Really? You’d teach me?”
Lily nodded. But she noticed his face fall as quickly as his excitement had come. “What’s wrong?”
“I… I can’t. I mean, thank you, but… we can’t afford it,” he said quietly.
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Lily looked at him thoughtfully. She recalled noticing that he rarely ate lunch with the other kids. He seemed to keep to himself. “You don’t have to worry about paying,” she said gently. “I’ll teach you for free.”
Jay’s face lit up with a huge grin, and without warning, he threw his arms around her. “Thank you!” he said.
Over the next few weeks, Lily and Jay met in the empty classroom after school, their shared enthusiasm filling the room. Lily watched in amazement as Jay played each new piece she showed him, his fingers moving across the keys with surprising ease.
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Every note, every chord, every melody seemed to come naturally to him. She taught him music notation, guiding him through each symbol and rhythm.
Yet each time, she marveled—did he even need these lessons? His talent was raw, instinctive, as if he was born to play.
As Jay worked through a new melody one day, Lily smiled and leaned forward. “Have you ever thought about performing?” she asked.
Jay looked up, surprised. “Performing? Like, in front of people?”
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“Yes!” Lily replied. “The school festival is coming up. You could play a piece there. You’re talented enough.”
Jay hesitated, glancing at the piano keys. “I don’t know… What if I mess up?”
“You won’t,” Lily said warmly. “You’re ready, and I’ll help you. We’ll pick a song together, something you feel good about. You could even choose the piece.”
Jay bit his lip, still unsure, but nodded slowly. “All right, I guess I could try.”
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Lily’s heart soared. She hadn’t felt this excited in a long time. Teaching him, watching his confidence grow—it filled her with a sense of purpose she hadn’t known she needed.
On the day of the performance, Lily moved through the crowded school hallways, searching everywhere for Jay. Her eyes scanned each room, her heart beating a little faster with worry each time she didn’t find him.
He was supposed to close the show, and time was running out. Other teachers stopped her, asking, “Have you seen Jay? Is he ready?”
She shook her head, feeling more anxious with each question. Suddenly, just as she turned toward the stage, Jay rushed in backstage, looking flustered and out of breath.
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“Quick, I need to go on now, before he sees me,” Jay whispered urgently, glancing toward the stage.
Lily placed a gentle hand on his shoulder, sensing his distress. “Hold on, Jay. Another act is on. Who are you hiding from? Why are you so scared?”
Jay’s face crumpled, his eyes filling with tears. “He won’t let me perform. And if he finds out, he’ll get you fired. I don’t want that to happen,” he said, his voice breaking.
Lily knelt down to his level, speaking calmly. “Jay, slow down. No one is going to fire me. Who doesn’t want you to perform?”
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Jay wiped his eyes and looked down. “My dad,” he murmured.
“Your dad?” Lily echoed, surprised. “Is he… does he hurt you?”
Jay shook his head quickly. “No, he just… he doesn’t want me to play the piano.”
“Why not?” Lily asked softly, puzzled. “I’m not charging you for lessons.”
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“It’s not about the money. It’s just that—” Jay started to explain but froze as a stern voice called out.
“Jay!” a man shouted sharply. Lily turned, shocked to see Ryan standing there.
Lily recognized him instantly. Ryan—her old classmate from high school. Memories of those days rushed back. Back then, they had been friends, maybe even close friends.
Both had dreamed of a future in music, hoping for the same scholarship to attend the top music university. They’d spent hours practicing together, studying, pushing each other to improve.
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Ryan’s family had never approved of his dreams. His parents thought music was pointless, unworthy of their son’s time. But Ryan had continued, driven by his love for it, keeping his ambitions a secret from them.
The day she won the grant was the day everything changed. Ryan had looked at her, hurt and angry, and said she had ruined his life. His words, “I hate you,” had haunted her ever since.
Now, standing before her, she saw that same resentment in his eyes, as if all those years hadn’t passed.
“Jay!” Ryan’s voice rang out sharply. “I told you not to play music. I forbade it!”
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Jay looked down, his voice barely a whisper. “Dad, I can explain…”
Lily, sensing Jay’s fear, turned to him. “You’re not from a poor family?” she asked gently, though she knew the truth. Ryan had inherited his father’s company and was far from struggling.
Ryan scoffed. “Poor family? He probably made that story up so I wouldn’t find out about these lessons. He even stopped eating at school, hoping I’d never suspect it.”
Lily took a steady breath. “But why are you stopping him from playing music?” she asked, looking Ryan in the eye.
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“Because it’s not something a real man does,” Ryan replied firmly.
Lily felt her heart sink. “Ryan, that’s not your belief—that’s your father’s. The Ryan I knew loved music, loved playing the piano.”
Jay’s eyes widened, surprised. “Dad, you used to play?”
Ryan’s gaze hardened. “The Ryan you knew is gone. I was young and foolish. Now I understand. Music isn’t profitable, and it isn’t masculine.” He reached for Jay’s hand, pulling him away from the stage without another word.
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Lily watched Ryan and Jay walk away, her heart pounding. She couldn’t let this end like that. Without hesitating, she hurried through the halls and out to the parking lot. She saw them approaching Ryan’s car, Jay looking down, defeated.
“Wait! Ryan, wait!” Lily called, her voice urgent. “You can’t do this!”
Ryan stopped but didn’t turn. “This is my son,” he said loudly. “I have every right to decide what’s best for him.”
Lily took a breath, stepping forward. “You don’t have the right to take this from him. Jay is talented, Ryan. You know it, and I know it. He deserves this chance.”
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Ryan turned to face her, his expression hard. “I was talented once, too. I had that chance, but you took it from me. Now, I see it was all nonsense.”
“That’s not true,” Lily said, her voice steady. “You don’t believe that, Ryan. And it wasn’t me who took it away. Your parents refused to support you. They never saw your dreams. I know that hurt, but don’t let it hurt Jay.”
Ryan’s eyes flickered, but he shook his head. “It’s my decision. Jay will not play music.”
Lily’s voice rose with emotion. “Stop this, Ryan! It isn’t fair! You’re denying him something he loves because of your own anger—anger at me, anger at your parents. Jay deserves a chance to be who he is. I could find him another teacher, but he needs this. You can’t crush this dream.”
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Jay’s voice was a whisper, but his words were clear. “Please, Dad. Just listen to me. Let me play.”
Ryan looked at Jay, something softening in his expression. After a long pause, he nodded slowly. “One time,” he said quietly. “You can play once.”
Lily let out a sigh of relief. She led Jay back into the school and guided him onto the stage. He took his place at the piano, his fingers finding the keys. As he played, the room grew silent, captivated by the beauty of his music. Lily glanced at Ryan, and for the first time, she saw tears in his eyes.
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“That was my favorite sonata,” he said to Lily, his voice low. “I never had the skill to play it.”
Lily smiled softly. “So, does that mean…” she started, but he nodded, giving his quiet approval. Lily’s heart swelled with pride as she looked at Jay, feeling that he might be her greatest accomplishment.
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Matthew Perry has reportedly died. The “Friends” actor was 54
Actor Matthew Perry, famously known for the role of Chandler Bing in the iconic show Friends, was found dead Saturday in a hot tub at his Los Angeles home, law enforcement has reported.
Spokesperson of the LA Fire Department reported that first responders arrived at Perry’s home at about 4 p.m. regarding a “water emergency” of an unknown type, but did not name the actor. Sadly, upon arrival, they discovered Perry’s unresponsive body. According to them, there were no drugs of any type at the scene. At the time being, no foul play is suspected.
A representative of the actor hasn’t issued any comments regarding the tragic incident.
The investigation over Perry’s passing is still ongoing and the cause of death remains unknown. It will be determined by the Los Angeles County coroner’s office at a later date.
“We are devastated by the passing of our dear friend Matthew Perry,” Warner Bros. Television Group, which produced “Friends,” said in a statement to The Times. “Matthew was an incredibly gifted actor and an indelible part of the Warner Bros. Television Group family. The impact of his comedic genius was felt around the world, and his legacy will live on in the hearts of so many. This is a heartbreaking day, and we send our love to his family, his loved ones, and all of his devoted fans.”
“We are incredibly saddened by the too soon passing of Matthew Perry,” NBC, which aired the series for all 10 seasons, said in its own statement to The Times. “He brought so much joy to hundreds of millions of people around the world with his pitch perfect comedic timing and wry wit. His legacy will live on through countless generations.”
Saturday evening yellow-and-black LAPD crime scene tape blocked off the entrance to Blue Sail Drive, a tony street just off the Pacific Coast Highway at the crest of a hill with sweeping views of the Pacific Ocean.
Shortly after 7 p.m., as multiple helicopters whirred overhead, Perry’s mother, Suzanne, and her husband, broadcaster Keith Morrison, joined the journalists and LAPD officers on the scene. Morrison declined to comment. An LAPD officer at the scene said he had no information and that he did not know when any would be forthcoming.
Peter, a neighbor of Perry’s on Bluesail Drive who declined to give his last name Saturday evening, said he only spoke to the actor once, for five minutes, and that he was “very pleasant” and a “nice guy.”
“It’s shocking,” Peter said as he waited for the LAPD, who had barred journalists from passing the police tape, to approve him for entry. “He’s been redoing this house forever and he seemed fine. It’s very sad.”
Leo, another neighbor who declined to give his full name, said he was home when an ambulance arrived at Perry’s house Saturday afternoon. He declined to say whether paramedics tried to revive Perry or if a body was removed from the premises.
“I was shocked,” he said. “It was very disturbing and sad after all these years.”
Perry was one of his favorite actors, Leo said, and the funniest member of the “Friends” cast.
“I encountered him once and he was very, very friendly. More so than I thought,” Leo said. “It’s definitely a tragedy, especially at such a young age,” he added. “I was very heartbroken to see what happened.”
(Wally Skalij / Los Angeles Times)
Perry, the son of actor John Bennett Perry and Suzanne Marie Langford, onetime press secretary of Canadian Prime Minister Pierre Trudeau, was born in 1969 and grew up between Montreal and Los Angeles after his parents separated when Perry was 1.
He got his start as a child actor, landing guest spots on “Charles in Charge” and “Beverly Hills 90210” and playing opposite River Phoenix in the film “A Night in the Life of Jimmy Reardon” in the 1980s and early 1990s.
But his big break came when he was cast in “Friends” — originally titled “Friends Like Us” — a sitcom about six single New Yorkers navigating adulthood that premiered on NBC in 1994.
The series soon became a juggernaut, the anchor of the network’s vaunted Thursday-night “Must-See TV” lineup, and turned Perry and his castmates Jennifer Aniston, Courteney Cox, Lisa Kudrow, Matt LeBlanc and David Schwimmer into mega-stars almost overnight. At its high-water mark — for a 1996 Super Bowl episode and the 2004 series finale — the series could notch more than 50 million live viewers; by its end, cast members were earning more than $1 million an episode.
As Chandler Bing, the handsome, wisecracking roommate of LeBlanc’s Joey Tribbiani and, later, love interest of Cox’s fastidious Monica Geller, Perry distinguished himself in a crackling ensemble cast. With his dry delivery he created a catchphrase with a mere turn of inflection, based on banter he’d shared with childhood friends: Could he be any more Chandler?
Soon, he was attached to major stars like Julia Roberts and appearing in prominent films such as 1997 rom-com “Fools Rush In,” opposite Salma Hayek, and 2000 ensemble mob comedy “The Whole Nine Yards” with Bruce Willis.
There was a dark side to the life of one of television’s most beloved funnymen, however. In his 2022 memoir, “Friends, Lovers, and the Big Terrible Thing,” Perry recounted his lifelong struggle with addiction to alcohol and opioids. He wrote that he had his first drink at 14, but didn’t recognize the signs of alcoholism until 21. Since then, he estimated, he’d spent more than $7 million on efforts to get sober, including multiple stints in rehab. His substance abuse also led to a number of serious health issues, including a five-month hospitalization in 2018 following a colon rupture that left him, he wrote, with a 2% chance to live through the night.
And it was fueled, he acknowledged during a “Friends” reunion special in 2021, by the pressure to land the joke in front of a live studio audience night after night.
(NBC / NBCUniversal via Getty Images)
“Nobody wanted to be famous more than me,” Perry told The Times in April, discussing “Friends, Lovers, and the Big Terrible Thing” at the Festival of Books. “I was convinced it was the answer. I was 25, it was the second year of ‘Friends,’ and eight months into it, I realized the American dream is not making me happy, not filling the holes in my life. I couldn’t get enough attention. … Fame does not do what you think it’s going to do. It was all a trick.”
Perry was remembered on Saturday by friends and collaborators such as Selma Blair, Paget Brewster, Morgan Fairchild and Mira Sorvino as a singular comic talent and kind soul.
Perry’s “Friends” co-star Maggie Wheeler, who played his on-again, off-again girlfriend Janice on the hit show, shared a sweet tribute on Instagram.
“What a loss. The world will miss you Mathew Perry,” she wrote. “The joy you brought to so many in your too short lifetime will live on. I feel so very blessed by every creative moment we shared.”
He was also memorialized by Canadian Prime Minister Justin Trudeau, Pierre’s son and one of Perry’s childhood friends.
“Matthew Perry’s passing is shocking and saddening,” Trudeau wrote on X. “I’ll never forget the schoolyard games we used to play, and I know people around the world are never going to forget the joy he brought them. Thanks for all the laughs, Matthew. You were loved — and you will be missed.”
Though Perry estimated he had relapsed “60 or 70 times” since first getting sober in 2001, he maintained a steady presence on American television, playing key parts in backstage dramedy “Studio 60 on the Sunset Strip” and therapy sitcom “Go On,” and making a steady stream of guest appearances on acclaimed shows such as “The West Wing” and “The Good Wife.”
Since his near-death experience in 2018, Perry had found solace in friends, frequent games of pickleball and, especially, writing. Though producing “Friends, Lovers, and the Big Terrible Thing” had forced him to relive his darkest moments, it also connected him to “all the sufferers out there”: “I had a story to tell, a story that could really help people,” he wrote. “And helping others had become the answer for me.”
Indeed, for all his success as an actor and, more recently, as a bestselling memoirist, Perry told The Times in April that his work was not the center of what he hoped would be his legacy.
Pressed to name how he’d like to be remembered, he said: “As a guy who lived life, loved well, lived well and helped people. That running into me was a good thing, and not something bad.”
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