In the early 1990s, the world fell in love with the adorable Mara Wilson, the child actor known for playing the precocious little girl in family classics like Mrs. Doubtfire and Miracle on 34th Street.
The young star, who turned 37 on July 24, seemed poised for success but as she grew older, she stopped being “cute” and disappeared from the big screen.
“Hollywood was burned out on me,” she says, adding that “if you’re not cute anymore, if you’re not beautiful, then you are worthless.
In 1993, five-year-old Mara Wilson stole the hearts of millions of fans when she starred as Robin Williams’ youngest child in Mrs. Doubtfire.
The California-born star had previously appeared in commercials when she received the invitation to star in one of the biggest-grossing comedies in Hollywood history.
“My parents were proud, but they kept me grounded. If I ever said something like, ‘I’m the greatest!’ my mother would remind me, ‘You’re just an actor. You’re just a kid,’” Wilson, now 37, said.
After her big screen debut, she won the role of Susan Walker – the same role played by Natalie Wood in 1947 – in 1994’s Miracle on 34th Street.
In an essay for the Guardian, Wilson writes of her audition, “I read my lines for the production team and told them I didn’t believe in Santa Claus.” Referencing the Oscar-winning actor who played her mom in Mrs. Doubtfire, she continues, “but I did believe in the tooth fairy and had named mine after Sally Field.”
‘Most unhappy’
Next, Wilson played the magical girl in 1996’s Matilda, starring alongside Danny DeVito and his real-life wife Rhea Perlman.
It was also the same year her mother, Suzie, lost her battle with breast cancer.
“I didn’t really know who I was…There was who I was before that, and who I was after that. She was like this omnipresent thing in my life,” Wilson says of the deep grief she experienced after losing her mother. She adds, “I found it kind of overwhelming. Most of the time, I just wanted to be a normal kid, especially after my mother died.”
The young girl was exhausted and when she was “very famous,” she says she “was the most unhappy.”
When she was 11, she begrudgingly played her last major role in the 2000 fantasy adventure film Thomas and the Magic Railroad. “The characters were too young. At 11, I had a visceral reaction to [the] script…Ugh, I thought. How cute,” she tells the Guardian.
‘Burned out’
But her exit from Hollywood wasn’t only her decision.
As a young teenager, the roles weren’t coming in for Wilson, who was going through puberty and outgrowing the “cute.”
She was “just another weird, nerdy, loud girl with bad teeth and bad hair, whose bra strap was always showing.”
“At 13, no one had called me cute or mentioned the way I looked in years, at least not in a positive way,” she says.
Wilson was forced to deal with the pressures of fame and the challenges of transitioning to adulthood in the public eye. Her changing image had a profound effect on her.
“I had this Hollywood idea that if you’re not cute anymore, if you’re not beautiful, then you are worthless. Because I directly tied that to the demise of my career. Even though I was sort of burned out on it, and Hollywood was burned out on me, it still doesn’t feel good to be rejected.”
Mara as the writer
Wilson, now a writer, authored her first book “Where Am I Now? True Stories of Girlhood and Accidental Fame,” in 2016.
The book discusses “everything from what she learned about sex on the set of Melrose Place, to discovering in adolescence that she was no longer ‘cute’ enough for Hollywood, these essays chart her journey from accidental fame to relative (but happy) obscurity.”
She also wrote “Good Girls Don’t” a memoir that examines her life as a child actor living up to expectations.
“Being cute just made me miserable,” she writes in her essay for the Guardian. “I had always thought it would be me giving up acting, not the other way around.”
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Privileged Parents Excused Their Child for Kicking My Seat on the Flight, Claiming “He’s Just a Kid!”, Karma Delivered Them a Teachable Moment
On a long flight, a woman’s patience is tested by a child who kicks her seat and parents who ignore the disruption. What begins as a frustrating ordeal soon takes a surprising turn, revealing that karma has a way of delivering unexpected lessons.
As I settled into my aisle seat for a seven-hour flight, I hoped for some much-needed relaxation. With a book in hand, noise-canceling headphones on, and a good playlist ready, I thought I was prepared for the journey ahead. The cabin was packed and the air felt stuffy, but I was willing to endure it for a peaceful trip.
Then it began. A soft thumping at the back of my seat started to grow louder. Initially, I dismissed it, thinking a child was just adjusting in their seat. But the thumping became a steady rhythm, kick, kick, kick, each hit harder than the last.
I turned around and saw a boy, around six or seven, swinging his legs and grinning as if he were having a great time. His sneakers repeatedly slammed into my seat, creating a mini drum concert. His parents, seated nearby, were glued to their phones, completely unaware of the chaos their child was causing. I hoped the boy would tire out soon, or that his parents would notice, but the kicks only intensified.
After what felt like an eternity, I finally decided I couldn’t ignore it any longer. I turned around, offering a polite smile and asked the parents to ask their son to stop kicking my seat. The mother barely acknowledged me, dismissing my request with a “He’s just a kid!” before returning to her phone. I tried again, but the father was too engrossed in a video to care. Sensing his parents’ indifference, the boy kicked even harder, laughing as if he were winning some game at my expense.
I pressed the call button for the flight attendant, hoping she could help. She arrived, friendly and professional, and I explained the situation. She approached the family, asking them kindly to stop the boy from kicking my seat. For a brief moment, there was silence.
But as soon as she walked away, the kicks resumed, even more forceful this time. Frustrated, I stood up and spoke louder, asking them again to control their child. The mother rolled her eyes, and the father muttered something dismissive. The boy laughed and kicked harder. At this point, I was fed up. I called the attendant again, asking if I could switch to another seat. She returned shortly with good news: there was a seat available in first class.
Without hesitation, I grabbed my belongings and followed her to the front of the plane. The first-class section was a welcome relief, spacious, quiet, and free of children. I settled into my new seat, and the tension melted away. I was finally able to relax, enjoying a drink and diving into my book.
As the flight continued smoothly, I overheard the attendants talking about my old seatmates. The boy had found a new target for his kicks, an elderly woman who had taken my place. When she asked him to stop, the mother snapped at her, escalating the situation to a shouting match that caught the attention of the flight crew. I felt a twinge of sympathy for the elderly woman but couldn’t deny the poetic justice unfolding. As we prepared to land, I noticed security vehicles waiting by the gate.
When we disembarked, I saw the family being escorted off the plane by security officers. The boy, who had been so bold earlier, was now crying, clinging to his mother. The parents looked embarrassed, no longer the dismissive people they had been. I left the airport feeling a sense of satisfaction that surprised me. Karma had intervened, allowing me to enjoy my first-class experience and witness a bit of justice served.
As I walked past the family, I couldn’t help but smile at them. It was a small gesture, but it felt like the closure I needed. Sometimes, the universe has a way of balancing things out, and that day, it certainly did. With my book finished and my flight experience greatly improved, I walked away with a story that would surely entertain friends in the future.
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