Artistes The actor Richard “Kinky” Friedman has d ied. He was 79 years old.
The news came through X on Thursday. “Kinky Friedman stepped on a rainbow at his beloved Echo Hill surrounded by family & friends,” said it. “Kinkster endured tremendous pain & unthinkable loss in recent years but he never lost his fighting spirit and quick wit.”
“Kinky will live on as his books are read and his songs are sung,” said the post. His name was John and he went to the University of Texas at Austin. The exact day he d ied was not given.However, Kinky also ran for governor of Texas as an independent candidate in 2006. With 12% of the vote, he came in fourth place out of six candidates. PROFILE IN MUSIC King Arthur & the Carrots was Kinky’s first band, which he started at UT. They only made one record in 1966, which was Schwinn 24/Beach Party Boo Boo. Surf music was made fun of by King Arthur & The Carrots. Ginky Friedman and the Texas Jewboys was Richard’s second band. They were formed in 1973. They didn’t stay together for long, and Kinky’s self-titled album came out in 1974.
Following two years, Kinky went on tour with Bob Dylan. He was a musical guest on Season 2 of Saturday Night Live after the tour. In 2011, the artist went on a world tour as the main act. KiNKY has put out 18 albums so far. His most recent one, Circus of Life, came out in 2018. NOTHING ELSE Later, when Richard’s music career stopped going forward in the 1980s, he started writing.
He mostly wrote detective books, which have made-up versions of himself and lyrics from his songs. In New York City, the character fights crime while telling jokes, giving advice, recipes, and charm. In his mind, he is like Sherlock Holmes from a different time. Kinky Friedman did not appear in Kill Two Birds and Get Stoned or The Christmas Pig, two books that Kinky wrote. Additionally, he had a regular column for Texas Monthly from 2001 to 2005.
He stopped writing the column when he ran for governor in 2006. But two years later, the newspaper brought back his column every two months. In 1986, Richard ran as a Republican for Justice of the Peace in Kerrville, Texas, but lost. This was before he ran for Governor.
I Allowed a Homeless Woman to Stay in My Garage—One Day I Walked in Unannounced and Was Shocked by What I Saw
I tapped the steering wheel, trying to shake the weight on my chest, when I spotted a disheveled woman digging through a trash can. I slowed down, drawn in by her grim determination.
She looked fragile yet fierce, fighting for survival. Without thinking, I pulled over, rolled down my window, and asked, “Do you need help?”
Her response was sharp but tired: “You offering?”
“I just saw you there,” I admitted, stepping out. “It didn’t seem right.”
“What’s not right is life,” she scoffed, crossing her arms. “You don’t strike me as someone who knows much about that.”
“Maybe not,” I replied, then asked if she had a place to stay.
“No,” she said, and I felt compelled to offer my garage as a temporary home. To my surprise, she accepted, albeit reluctantly.
Over the next few days, we shared meals and conversations. Lexi’s sharp wit broke through my loneliness, but I could sense her hidden pain.
One afternoon, I barged into the garage and froze. There, sprawled across the floor, were grotesque paintings of me—chains, blood, a casket. Nausea hit me.
That night, I confronted her. “What are those paintings?”
Her face went pale. “I didn’t mean for you to see them. I was just… angry.”
“So you painted me as a monster?” I demanded.
She nodded, shame in her eyes. “I’m sorry.”
I struggled to forgive her. “I think it’s time for you to go.”
The next morning, I helped her pack and drove her to a shelter, giving her some money. Weeks passed, and I felt the loss of our connection.
Then, a package arrived—another painting. This one was serene, capturing a peace I hadn’t known. Inside was a note with Lexi’s name and number.
My heart raced as I called her. “I got your painting… it’s beautiful.”
“Thank you. I didn’t know if you’d like it,” she replied.
“You didn’t owe me anything,” I said, reflecting on my own unfairness.
“I’m sorry for what I painted,” she admitted. “You were just… there.”
“I forgave you the moment I saw that painting. Maybe we could start over.”
“I’d like that,” she said, a smile evident in her voice.
We made plans to meet again, and I felt a flicker of hope for what could be.
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