“I look at my role as being a friend of Canberra Hospital, I can bring some pleasure and happiness sometimes to people who are really in difficult times in their lives.”
With backing music from a Bluetooth speaker, Sayer croons his way around the cancer wards, making a human connection with everyone he comes across.
Canberra Region Cancer Centre Operations Manager Caroline McIntyre says Sayer’s visits are typically kept a surprise for patients and staff.
“He’s always come in so discreetly,” she says.
“Normally it’s just very quiet, he comes up in the back lift and says hello to literally everybody.
“Some of them are doing it tough, and to have a little bit of joy and light – it really gives them a lift.
“What makes me happy is to see people getting chemo on their feet dancing.”
Jamming with Jimi Hendrix, Countdown and the Troubadour
Originally a graphic designer by trade, English-born Leo Sayer rose to pop prominence in London in the late 1960s, as a singer-songwriter – and was soon adopted by Australia as an honorary son after his first tour here in 1974.
He went on to become an Australian citizen in 2009.
Sayer was a regular on ABC TV’s Countdown during the 70s and 80s, performing chart-toppers like “You Make Me Feel Like Dancing”, “When I Need You”, “More Than I Could Say” and “Orchard Road”.
He blushingly admits they were wild days – when he didn’t always live up to his “good-guy” public persona.
“It was mad, I mean, Top of the Pops in England, Countdown over here,” he says.
“You were mobbed by the fans, I remember being dragged out of a limousine the first tour that I came here, and then speaking to crazy people like Molly Meldrum on TV and trying to sort of like take it all in.”
It seems hard to believe – the petite, well-spoken singer, with a mane of curly hair that inspired changing his name from Gerard to Leo – beating off mobs of screaming fangirls.
Sayer circulated in superstar company, becoming close friends with former Beatles George Harrison and Paul McCartney, collaborating with Roger Daltrey of The Who, and even sharing a sly cigarette or two with John Lennon and Yoko Ono who had a flat above his design studio.
“I met Jimi Hendrix right at the start of his career. I actually jammed with him, playing the harmonica, and him playing the guitar,” he says.
Recalling his 1975 opening night at the famous Troubadour Club in Los Angeles, he looked up to see an intimidating line-up of fans in the front row.
“It was David Bowie, Elton John, and ‘The Fonz’ [Henry Winkler].”
Alongside them: John Cleese, Mick Jagger, Bernie Taupin, and comedian Marty Feldman.
“We never thought it would last, we were adapting to things around us, writing songs about things that are around us,” he says.
“And we thought they were only for our generation — so the amazing thing is my music’s become like a fine wine, where you lay it down and years later, it becomes a collector’s item.
“We’re in an age where the music that I make, young kids are actually latching onto it now, and they’re finding that that generation and that style of music we made is as current now as anything.”
Sayer’s health battles, still spreading hope at 76
Leo Sayer says his hospital charity work caps off a career dedicated to providing joy through music.
“It’s a nice piece of synchronicity really, because I was born in the grounds of a hospital in Shoreham by Sea in Sussex, near Brighton in England,” Mr Sayer said.
“I suppose I’ve always felt comfortable in hospitals and being around hospitals.
“Growing up, my dad was a hospital engineer, Mum was a nurse, my sister was a matron.”
Sayer has health struggles of his own, including three stents in his heart, which help him have a genuine connection to the hospital patients he entertains.
“[My music] is providing something that isn’t taking away from any of the treatment that’s going on. It’s providing something that’s just putting a smile on peoples’ faces.
“Music is communication and that’s what this is all about, we’re communicating, we’re making people feel better.
“We’re not healing people with music, but we are making them feel better about their healing.
“To sell out Canberra Hospital will do me fine.”
Unseen Royal Family Photos Go on Display at Buckingham Palace, Including Queen Elizabeth in New Mom Mode
Some of the display’s visuals are too sensitive to be left up all the time.
With great pleasure, Buckingham Palace announces the release of an astounding array of never-before-seen images from the royal archives.
The unique exhibition “Royal Portraits: A Century of Photography” at The King’s Gallery inside Buckingham Palace is scheduled to debut on May 17 and will highlight the development of royal portrait photography from the 1920s to the present. More than 150 one-of-a-kind pieces from the Royal Collection and Royal Archives will be on show, with many of these old prints appearing for the first time. A unique look into the creative processes behind these historical photos is provided by the show, which also features unseen proofs and archival correspondence.
A poignant 1964 portrait of Queen Elizabeth, Princess Margaret, Princess Alexandra, and the then-Duchess of Kent holding their babies is one of the most notable items. This heartwarming photo was taken by Princess Margaret’s husband, Antony Armstrong-Jones, as a special thank-you to royal obstetrician Sir John Peel, who assisted in the delivery of all four babies in less than two months. Princess Margaret is holding her daughter Lady Sarah tenderly while Queen Elizabeth is grinning at the camera and holding Prince Edward, the youngest of her four children.
Snowdon, the Royal Collection Trust, and Camera Press
Images of Queen Elizabeth’s parents, King George VI and the Queen Mother, taken during World War II make up another moving section of the display. Cecil Beaton captured these pictures with the intention of bringing stability and hope during tumultuous times. Notable images of the royal couple taken in 1940 at Buckingham Palace include a dramatic view of them assessing bomb damage and a sweet family photo taken in 1943 at Royal Lodge in Windsor, which shows Princess Elizabeth and Princess Margaret as little children gathered around their father’s desk.
Snowdon, the Royal Collection Trust, and Camera Press
The thrill and exclusivity of this event is further enhanced by the fact that the Royal Collection Trust emphasizes that these vintage photos cannot be permanently shown due to conservation needs. The display covers an amazing range of historical periods, including the first color image of a member of the royal family, Queen Elizabeth’s 1953 coronation portrait, the Queen’s sparkling painting by Andy Warhol from 1985, and even Kate Middleton’s arresting 40th birthday shot.
It’s interesting to note that Kate’s milestone birthday portrait will be on display next to a portrait of Princess Alexandra from 1864, which it looks a lot like.
Charles III, His Majesty, Royal Collection Trust, 2024
The audio guide for this fascinating exhibit, which is narrated by the adored Dame Joanna Lumley, includes commentary from well-known photographers Rankin and John Swannell. Hugo Burnand has also contributed to the guide; he has a long-standing professional relationship with King Charles and Queen Camilla, having taken their formal coronation photographs in May 2023.
Paolo Reversi/Royal Collection Trust Photographer
Exhibiting photographs by renowned photographers including David Bailey, Annie Leibovitz, Polly Borland, and Dorothy Wilding, this show is sure to thrill royal photography enthusiasts.
Remember to put dates in your calendars! The King’s Gallery at Buckingham Palace will unveil “Royal Portraits: A Century of Photography” on May 17. This is a unique chance to experience history unfold before your eyes as a unique collection of royal moments are captured via the skill of photography.
Charles III, His Majesty, Royal Collection Trust, 2024
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