At 86, She Looks Decades Younger—Here’s Her Secret to Aging Without Surgery

Famous actress Claudia Cardinale has embraced aging gracefully, believing that time is unstoppable. Her approach shows a natural and inspiring transformation through the years.

Instead of turning to surgery, Claudia has chosen to accept each stage of life. She believes true beauty comes from within, a mindset that has gained her admiration from fans worldwide.

Her transformation over the years shows her confidence in aging naturally. Claudia’s appearance is a testament to her strength and timeless elegance, proving that beauty truly knows no age.

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Italian actress Claudia Cardinale was a big name during Hollywood’s golden age. Over her long career, she appeared in more than 100 films, especially from 1960 to 1970.

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During that decade, she acted in about 30 movies, including famous titles like 8½ (1963), The Leopard (1963), and The Professionals (1966), where she starred with Burt Lancaster and Lee Marvin.

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Another memorable role was in Once Upon a Time in the West (1968), directed by the legendary Sergio Leone. Cardinale recalls that Leone had a unique style, often playing the music for a scene before filming it.

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Reflecting on her U.S. career, Cardinale said, “I didn’t ask to go to Hollywood; they called me.” At that time, Hollywood studios quickly signed up new stars under strict contracts, which limited actors’ freedom in their careers.

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Cardinale resisted this, avoiding an exclusive deal with Universal Studios. She preferred signing one contract at a time, allowing her to build a career on her own terms.

In her three years in Hollywood, Cardinale acted in movies like The Pink Panther and The Professionals, working with famous actors such as Rock Hudson in Blindfold and sharing the screen with John Wayne and Rita Hayworth in Circus World.

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During this time, she met many Hollywood icons, including Barbra Streisand, Steve McQueen, and Warren Beatty.

In 1961, Cardinale attended Cannes for the first time, promoting films like Girl With a Suitcase and The Lovemakers. She returned to Cannes in 1963 with The Leopard and 8½, both highly acclaimed movies.

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Shooting two films at once was challenging, as each director wanted a different look for her. She dyed her hair dark for Visconti and went blonde for Fellini, switching colors every two weeks.

Later, she returned to Hollywood, starring in films with Rock Hudson like Blindfold and Lost Command. Cardinale was offered an exclusive contract with Universal, but she declined, saying, “No, I’m European. I’m going back.” She stayed true to herself, resisting the pressure.

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Unlike some actresses, Cardinale never appeared in nude scenes and stayed clear of cosmetic surgery. She believes in showing her true self. “I’ve never done – what do you call it? – a facelift,” she once said, explaining her decision to age naturally.

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Now 86, Cardinale still works in the entertainment industry. Her recent project was the Tunisian-Italian film The Island of Forgiveness. About staying active, she said, “I don’t like all these facelifts and plastic surgery because you can’t stop time.”

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Starting from the “Most Beautiful Italian Girl in Tunisia” in 1957, Cardinale’s journey reflects her strength and beauty. Her story shows that true beauty lies in embracing oneself and staying genuine.

Joyce DeWitt’s Candid Confession Confirms What We All Suspected

Decades may have passed since Three’s Company graced our screens, but its laughter still echoes in our hearts.

With unforgettable characters and side-splitting misunderstandings, this classic sitcom revolutionized the genre. Now, Joyce DeWitt reveals what really made the show a timeless treasure…

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From the hilarious antics of three single roommates to the unforgettable performances of John Ritter and Suzanne Somers, Three’s Company remains a beloved staple of American television. It’s hard to believe it’s been 40 years since the series finale aired on ABC, yet its charm and humor still resonate today.

To illustrate how long ago Three’s Company became a hit, I just watched the intro. Seeing the shots from Santa Monica Pier during the show’s prime reminds me of how much has changed since they filmed there.

Sadly, neither John Ritter nor Suzanne Somers are with us anymore; both were taken from us far too soon. But keeping the spirit of Three’s Company alive is Joyce DeWitt, 75, who shares her vibrant stories and cherished memories from the beloved show.

”The most dear, precious, tender – and utterly unexpected – experiences that have come from working in ‘Three’s Company’ are the many, many adults who have told me that ‘Three’s Company’ was a safe haven they could count on during their teen years – for some, the only safe haven,” Joyce DeWitt told US Weekly.

Joyce DeWitt circa 1978. (Photo by Images Press/IMAGES/Getty Images)
Starring as Janet Wood alongside John Ritter and Suzanne Somers, DeWitt became a television icon and she was such a day brightener for millions.

She appeared in 171 episodes of the show between 1976 and 1984.

“It was such a gift. I mean, it was iconic. But who would have thought it?” Joyce DeWitt told The Spec. “All we were trying to do was make people laugh. When I think about it, the show was really an attempt to do a contemporary version of a 16th-century farce. It was about silliness running wild. I mean, we were talking about serious issues at times, but that was always somewhere underneath.”

“John Ritter used to say, ‘We don’t want people to just laugh but to fall over their couch laughing,’” she added. “The real issue was always the depth of friendship and the love those characters had for each other. That’s what drew people to them.”

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After Three’s Company ended, DeWitt stepped away from the spotlight for over a decade before making her comeback to acting.

Yet, no matter what she has accomplished or plans to do in the future, the vast majority will always connect her with that iconic show. And there’s a very simple reason for that, according to DeWitt.

“It was a ‘time out’ from the oppressive, challenging, difficult circumstances they were navigating in their young lives,” DeWitt says and adds:

“And, oh by the way, they say the characters also did stupid, crazy stuff that made them laugh. But it was the love, trust and support of the characters, one to the other, that made them lifelong fans.”

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When you look at unedited photos from the Three’s Company set, the camaraderie among the cast shines through, especially in the images of Joyce DeWitt and Suzanne Somers, who played the beloved Chrissy Snow.

Both actresses delivered iconic performances, portraying young women navigating a male-dominated industry. They contributed just as much to the show’s success as John Ritter, and in those early days, their smiles in photos tell a story of friendship and collaboration.

Yet, beneath the laughter, tensions simmered. While Somers was celebrated for her role as “the dumbest blonde in America,” her fight for equal pay created rifts that would grow over time. As she demanded a 500% salary increase — from $30,000 to $150,000 — her relationship with DeWitt became strained. The set, once filled with joy, was now fraught with conflict.

Somers had always viewed the show as a business among serious actors, and she realized that her approach annoyed her co-stars.

Somers was ultimately fired but had to finish the fifth season under strange circumstances. Isolated from her castmates, she filmed her scenes through bizarre phone calls, escorted by security. The tension escalated, leading to a heartbreaking split between Somers and DeWitt.

For over 30 years, they didn’t speak, a silence that seemed hard to reconcile when you viewed their early years together.

”They painted me as she’s trying to ruin the show,” Somers said in 2020. “So, I never talked to anybody on that show ever again. Ever again.”

Some speculated that DeWitt’s rivalry contributed to Somers’ exit, but it was ultimately the salary negotiations that drove a wedge between them.

Their differing circumstances — Somers as a single mother needing financial security versus DeWitt’s focus on her craft — further complicated their relationship.

“We had very different approaches to our careers,” DeWitt said of the relationship between her and Somers following the show. “We had very different needs. I did not have a child that I was supporting on my own. I didn’t have a business head, so I didn’t understand someone who did.”

However, in a beautiful twist, the two finally reunited in February 2012 on Somers’ talk show, Breaking Through. It was clear that they had buried the hatchet.

The former co-stars shared a heartfelt hug, and their open conversation about the past offered a glimpse of healing.

DeWitt expressed her deep respect for Somers’s accomplishments, saying, “You went up against ruthlessness, and it came down, but what you’ve gone on to do is immeasurable.” This moment highlighted the strength of their journey and the power of reconciliation. The two actresses remained friends until Somers’s tragic passing in 2023.

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In the interview with US Weekly, DeWitt spoke fondly of her late co-stars, paying tribute to their lasting impact. Reflecting on Somers, who passed away from breast cancer, DeWitt described her as ”absolutely wonderful.”

She also honored Ritter, who died in 2003 during heart surgery, calling him ”a true gift.”

As we revisit the photos from Three’s Company, we are transported back to a different, happier time—one brimming with laughter, friendship, and unforgettable moments. These images from the set not only celebrate the joy the cast brought to our screens but also highlight the enduring legacy they have left behind.

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RIP John Ritter and Suzanne Somers – gone but never forgotten!

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