Some of the display’s visuals are too sensitive to be left up all the time.
With great pleasure, Buckingham Palace announces the release of an astounding array of never-before-seen images from the royal archives.
The unique exhibition “Royal Portraits: A Century of Photography” at The King’s Gallery inside Buckingham Palace is scheduled to debut on May 17 and will highlight the development of royal portrait photography from the 1920s to the present. More than 150 one-of-a-kind pieces from the Royal Collection and Royal Archives will be on show, with many of these old prints appearing for the first time. A unique look into the creative processes behind these historical photos is provided by the show, which also features unseen proofs and archival correspondence.
A poignant 1964 portrait of Queen Elizabeth, Princess Margaret, Princess Alexandra, and the then-Duchess of Kent holding their babies is one of the most notable items. This heartwarming photo was taken by Princess Margaret’s husband, Antony Armstrong-Jones, as a special thank-you to royal obstetrician Sir John Peel, who assisted in the delivery of all four babies in less than two months. Princess Margaret is holding her daughter Lady Sarah tenderly while Queen Elizabeth is grinning at the camera and holding Prince Edward, the youngest of her four children.
Snowdon, the Royal Collection Trust, and Camera Press
Images of Queen Elizabeth’s parents, King George VI and the Queen Mother, taken during World War II make up another moving section of the display. Cecil Beaton captured these pictures with the intention of bringing stability and hope during tumultuous times. Notable images of the royal couple taken in 1940 at Buckingham Palace include a dramatic view of them assessing bomb damage and a sweet family photo taken in 1943 at Royal Lodge in Windsor, which shows Princess Elizabeth and Princess Margaret as little children gathered around their father’s desk.
Snowdon, the Royal Collection Trust, and Camera Press
The thrill and exclusivity of this event is further enhanced by the fact that the Royal Collection Trust emphasizes that these vintage photos cannot be permanently shown due to conservation needs. The display covers an amazing range of historical periods, including the first color image of a member of the royal family, Queen Elizabeth’s 1953 coronation portrait, the Queen’s sparkling painting by Andy Warhol from 1985, and even Kate Middleton’s arresting 40th birthday shot.
It’s interesting to note that Kate’s milestone birthday portrait will be on display next to a portrait of Princess Alexandra from 1864, which it looks a lot like.
Charles III, His Majesty, Royal Collection Trust, 2024
The audio guide for this fascinating exhibit, which is narrated by the adored Dame Joanna Lumley, includes commentary from well-known photographers Rankin and John Swannell. Hugo Burnand has also contributed to the guide; he has a long-standing professional relationship with King Charles and Queen Camilla, having taken their formal coronation photographs in May 2023.
Paolo Reversi/Royal Collection Trust Photographer
Exhibiting photographs by renowned photographers including David Bailey, Annie Leibovitz, Polly Borland, and Dorothy Wilding, this show is sure to thrill royal photography enthusiasts.
Remember to put dates in your calendars! The King’s Gallery at Buckingham Palace will unveil “Royal Portraits: A Century of Photography” on May 17. This is a unique chance to experience history unfold before your eyes as a unique collection of royal moments are captured via the skill of photography.
Charles III, His Majesty, Royal Collection Trust, 2024
Fleetwood Mac star Stevie Nicks finally reveals what life changing advice Prince gave to her
She spent the night working on a song that would end up becoming the lead single from Nicks’ 1983 solo album “The Wild Heart” and the single went to No. 5 in the U.S. Billboard Top 100.
After writing her song ‘Stand Back” she asked for a meeting with Prince and 20 minutes later they were introduced to each other for the first time in a studio in Los Angeles.
Nicks said Prince listened to her song, inspired by his “Little Red Corvette” classic and went straight over to the keyboard to start adding his own parts.
He then got up, gave her a hug and left.
“He spoiled me for every band I’ve ever had because nobody can exactly re-create — not even with two piano players —what Prince did all by his little self,” she said in the book “Rock Lives.”
Nicks said as much as she admired Prince, she avoided a romantic relationship with him because she appreciated their musical connection.
“He spoiled me for every band I’ve ever had because nobody can exactly re-create — not even with two piano players —what Prince did all by his little self,” she said in the book “Rock Lives.”
Nicks said as much as she admired Prince, she avoided a romantic relationship with him because she appreciated their musical connection.
“I really wanted a musical relationship, and I had smartened up, even then,” she explained. “You’ll break up and never speak again. But he wasn’t interested in just that.”
In turn, Prince’s “When Doves Cry” was inspired by Nicks’ song “Edge of Seventeen.”
The Fleetwood Mac star said that she was heavily into drugs when she collaborated with Prince.
“The eighties were pretty bad drug years for me,” Stevie Nicks told The New Yorker. “And Prince was not very into drugs. And the fact that he ended up being on a lot of pain medication just blows my mind, because he was so against it, and he gave me so many lectures about it.”
The “Gypsy” singer said Prince warned her about her drug use. “I’d talk to him every once in a while on the phone, and we’d talk for hours, and he’d go, ‘You gotta be careful, Stevie.’ And I’d go, ‘I know, I know.’”
Following his death Nicks said, “My sadness is that he did die of an accidental drug overdose. He’s up there looking down, saying to me, ‘Sweetie, I can’t believe it happened either.’”
It seems Prince was right to be worried at the time as Nicks ended up in rehab twice. The singer checked into the Betty Ford clinic in 1986 for her cocaine addiction, and then went to another hospital in 1993 for her addiction to Klonopin, which Nicks said she was over-prescribed.
But in 1986, Nicks spoke to a plastic surgeon about her nose. The doctor told her she had burned a coin-sized hole in her nose from her cocaine abuse.
“I said, ‘What do you think about my nose?’” the singer recalled. “And he said, ‘Well, I think the next time you do a hit of cocaine, you could drop dead.’”
Following her conversation with the doctor, Nicks decided to check into the Betty Ford clinic. The move helped turn her life around and arguably saved her career and her life.
Thank goodness she had a conversation that set her on the right path. It sounds like it came at just the right time.
It is, however, a tragedy that Prince couldn’t get off the harmful opioids that he was on. Nicks’ story just confirms the musical genius he really was and how generous he was with his talent.
He will always be a musical legend, missed by millions.
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