She never thought a trip to the Berkshires would change her life. After all, she was a big Hollywood star, famous for playing a brave heroine in a hit movie. But fate had other plans for her, leading her to a quiet life in the country, new creative projects, and a fresh sense of purpose.
In 1981, an Indiana Jones film took the world by storm, making a little-known actress an overnight sensation. At just 29 years old, she wowed audiences as a strong, adventurous heroine alongside Harrison Ford. This role would forever secure her place in film history.
In 1981, Karen Allen became famous for her role as Marion Ravenwood in Raiders of the Lost Ark, starring alongside Harrison Ford. At just 29 years old, she brought strength and wit to the screen. The film became one of the biggest hits ever, making her a household name.
Despite her fame, Karen chose a different path from many rising stars. After the success of Raiders, she stepped away from Hollywood and took on smaller, more personal projects. People wondered why she didn’t go for bigger roles, but she knew what she wanted.
Her life changed in 1993 when her son, Nicholas, was three years old. Karen decided to move full-time to the countryside of Massachusetts, leaving behind the fast-paced city life. She felt that staying in one place was better for her and her son, especially as she balanced motherhood and acting.
Karen’s love for the Berkshires started in 1988 during a ski trip with her then-husband, Kale Browne. They found an old barn on 28 acres of land, and even though it was buried in snow, she felt an instant connection to the house. Five years later, they made the move permanent.
The countryside provided the perfect environment to raise Nicholas, who grew up with a love for cooking. He eventually became a chef, with his mom always supporting his dreams. Their strong bond is often shared through their love of food.
While enjoying life in the Berkshires, Karen didn’t leave her creativity behind. She returned to her early love for textiles, a passion she had developed before becoming an actress. In 2005, she opened her business, Karen Allen Fiber Arts, crafting high-quality cashmere items like scarves and sweaters.
Her shop in Great Barrington became a place where she could explore her love for fabric and design. Using a Japanese knitting machine, she created colorful and intricate designs. Karen described her love for textiles as her “first ecstasy” and found joy in this new creative outlet.
In addition to her textile business, Karen converted an old barn into a yoga studio in 1995. She embraced yoga, creating a space for herself and her community. Balancing motherhood, yoga, and her textile work, she found a rhythm that suited her life.
Though Karen kept taking acting roles, her focus shifted to her personal projects. Living in the Berkshires allowed her to reinvent herself, and she embraced this peaceful way of life. She continued acting in select roles in films and theater, while also growing her textile business.
With her son Nicholas thriving in his career, Karen found more time to return to her love for acting. She especially enjoyed theater, which had been her passion from the start of her career. Even now, at 73, she still accepts roles that inspire her.
Her fans haven’t forgotten her. Comments praising her charm and grace continue to flood in, with many still enchanted by her smile and down-to-earth nature. One fan called her “the absolute cutest,” while another admired how beautifully she has aged.
Karen’s ability to balance her acting career, creative passions, and personal life has made her a lasting inspiration. Even after stepping away from the limelight, she remains loved and admired for the choices she made and the grace with which she carries herself.
Gary Burghoff AKA Radar from ‘M*A*S*H’ Always Kept His Left Hand Out of View – Five Times We Could See It
The hit 1972 sitcom “M*A*S*H” introduced the world to a number of memorable and beloved characters, from the smart-mouthed yet compassionate Captain Benjamin Franklin “Hawkeye” Pierce to his endearing friend, Captain B.J. Hunnicutt. Almost every character had stuck in the minds of the fans.
One of the characters that often featured but was easily overlooked by his military counterparts due to his nervous nature was the 4077 MASH unit’s company clerk, Corporal Walter Eugene “Radar” O’Reilly. Although many of the staff on the base tended to take Radar’s effort for granted, the fans sure noticed him.
Radar was portrayed by the acclaimed actor Gary Burghoff from the start of the TV show in 1972 until the seventh season, which aired in 1979. Although fans clamored for more of the unassuming clerk, Burghoff revealed that he needed to step away from the show to rekindle his personal relationships and fight burnout.
“M*A*S*H’s” Influence and Burghoff’s Personal Identity
Although Burghoff enjoyed playing Radar, the role became increasingly demanding. The actor commented that it became difficult to separate himself from his character in the eyes of the public, which soon became tedious. He also noted that he despised being fawned over by the crowds:
“Aw, I know I’m cute. Cute, cute, CUTE! I was always cute because I was always the smallest kid on the block. I hate cute.”
Everyone saw Burghoff as an adorable, short, timid character as they’d known him on-screen and on the stage for many years. However, after years of being looked down upon, both metaphorically and physically speaking, Burghoff grew tired of the persona so easily attributed to him by scores of people he had never even met.
The actor lashed out against this view of him as a cute little fellow by defending his height. As he so rightly pointed out, 5 feet 6 inches isn’t irregularly short, and he would have seen the tops of Arte Johnson or Mickey Rooney’s heads had they ever met. Nonetheless, the persona stuck.
Luckily for all his fans, Burghoff didn’t let his disability stand in his way, and he pursued his dream of becoming an actor.
Despite his misgivings about how others perceived him, Burghoff’s fellow cast members adored him. The director Charles Dubin recalled working with Burghoff before he left “M*A*S*H,” noting how caring and pleasant Burghoff was to everyone on set. However, Burghoff had another aspect of himself that drove down his self-esteem.
Burghoff had been born with a congenital disability called Brachydactyly, a form of Poland Syndrome. The condition left the actor with three fingers on his left hand that were noticeably smaller than the rest of his digits, and the abnormality had plagued him since he was a small child. The actor commented:
“Of course, this defect affected me while I was growing up. I suppose when I was very young, I knew my disability would set me apart and make me special.”
Luckily for all his fans, Burghoff didn’t let his disability stand in his way, and he pursued his dream of becoming an actor. Yet, becoming a fan-favorite on one of the most iconic TV shows America had ever produced never managed to quell his insecurities about his stout fingers and stocky frame.
Throughout his run on “M*A*S*H,” Burghoff tried to hide his left hand from the camera. He would often position himself so that the camera could only see one side of his body and usually gestured with his right if the scene required it, although the actor would be obligated to use both hands now and again.
In one of the earliest episodes, viewers were introduced to Radar as he stood in an open area, wearing a greyish shirt and his trademark cap. As the actor turned around and looked at the sky — once again hearing approaching helicopters before everyone else — the camera briefly panned over both his hands holding a football.
When Colonel Sherman T. Potter first made his appearance on the show, taking over from the beloved Lieutenant Colonel Henry Blake, Radar and the new commander shared a scene where they first met. As Colonel Potter exited the room to find the latrines, the camera centered on Burghoff’s upper body as he opened a box with both hands.
Another infamous scene caught Burghoff with both hands on camera. During a regular morning salute, with the loathsome Major Frank Burns leading the ceremony, Radar does his usual morning salute with a bugle. In a hilarious twist, one of the men fires off the ceremonial canon at Burns’s behest.
Naturally, Radar gets the short end of the stick as the cannonball flies directly at him, knocking his instrument clean out of his hands. In the next few seconds, Burghoff turns toward the camera in a pantomime of rage, balling his fists and stomping in outrage. Here, both his hands can be seen for a brief second.
In one of the later episodes, the writers showed off Radar’s softer side when he cuddled his pet guinea pig, Babette. Naturally, Radar stood with his left hand beneath his right, but just as he started to sing, Father John Mulcahy called for him. Burghoff’s hands were visible again as he put the Babette away.
One of the scenes where Burghoff openly showed his left hand came as part of another gag the show pulled. At the start of the scene, Radar could be seen walking across a dirt road while two other military personnel walked away from the camera. The man on Radar’s right first lifted his hand in salute, followed shortly by one on the left.
Radar, the pleasant character he was, lifted his right hand in response to the first salute, as military etiquette dictates. Caught off guard by the quick second salute, Radar lifted his left hand as well, essentially performing a double salute. Feeling sheepish, he frowned and lowered his hands slowly in one of Burghoff’s classic displays of confusion.
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